Eps 2: Is Jreg's video correct?
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| Host image: | StyleGAN neural net |
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| Content creation: | GPT-3.5, |
Host
Theresa Barnes
Podcast Content
Jreg's content raises the question of what Jreg was thinking as a person when he made the video and whether his views are completely out of the reach of the audience.
I don't think there is a danger of a takeover by the fascist Jreg, but it would be a mistake to take someone with a platform as big as his and dismiss his views. He could decide tomorrow that he wants to pedal his audience's old - right-wing - beliefs, and then their audience would grow up and be subjected to a barrage of fascist propaganda. But so far, the creator has successfully prevented his audience from guessing his political beliefs.
The reason Jreg says "Don't be too hasty" is that he criticizes the cultural right, just as he criticizes postmodernism. There is an obvious criticism of anarchism and others, but criticism of the left is on all channels. Socialism as an idea is not touched in the same way as neoliberalism, and so art will criticize anarchists and communists for being too radical to actually bring about change, and not vice versa.
In Centricide 3.5, he claims that it is a fully fledged, legitimate ideology that will appear whether extremists like it or not. Anti-centrism is composed of a series of satirical anti-centrism movements that began in the late 1990s and early 2000s, such as the "anti-centrist" movement. It is also satire, but it is shown in a different way, as a parody of the right and left, not as an actual ideology. In this case, it is the satire of an innocent YouTuber named Jreg, and it has the same kind of satire as his other videos, like the one above.
If you click through the video, I will post a video ad for Raid of Shadow Legends that I realized I needed to make, but I'm still not sure if it's right.
Comments on the Steven Universe video range from the first release two years ago to just a few days ago, and they range from glorifying Hitler to thanking E.R. for drawing attention to his speech. One commenter boasts that it was a success, that it was liked by over 60 per cent of people and that it can be seen on YouTube. The comments about how he learned to "stop worrying" and write "Love Fuse" are particularly egregious. Although there is no doubt that Kjellberg is the most visible fan, the video "E. R. Death Note" is part of what I call "Steven's Rapeyverse," and it's not even the only one.
Political Compass Rap is the video that introduced the earliest repetition of extremists, and "Extreme is on the same team" and "Political Compass Rap" are just some of the videos that have since been released.
And "Political Compass Rap" and "Extreme is the same team" are just some of the earliest repeats of "Extreme" in the video.
I think what makes these characters so compelling is that they're not supposed to be perfect, whatever the political ideology behind them. A common premise in many of these videos is the notion that various extremist political ideologies have joined forces to fight the centrists. Most videos feature the same characters, but with different characters and different political philosophies. Known as "The Enemy," it contains several harbingers for the Centricide series.
The communist Nazi recognizes that the only way to beat the horseshoe centrist is to make him right, rather than wrong. Authoritarian right-wingers, Nazis and white identitarians are the most blatant evil extremists, but they are also the only ones who have any valid point, since everything that comes out positive is based on the authoritarians on the left and the Ancap having already said it. However, this is undermined and extended when Jreg admits that he only uses JReg Gaming to delay the radical centrist until Tankie can come.
In the new video, he says he was unaware of the previous videos of the incident and only watched the post about the death. In one of his videos, released earlier this year and commented on by Kjellberg, I wrote: "I understand that you have to watch the speech if you want to stay on the platform.